Curtain closes – Applause and Standing Ovation

Having never seen, or at least not knowing, about German cinema I found Run Lola Run entertaining.  The first thing that caught my eye was the soundtrack.  My children introduced me to Techno music a couple of years ago, and I love it.  This film is full of Techno music that draws you in and flows well with the images.  Images of Lola running past empty lots, weed infested sidewalks, empty streets, then new opulent buildings.  Lola’s bright hair color, techno music and even the way she dresses gives you a picture of pop culture.  This pop culture undertone is in sharp contrast to the romantic tones.  Manni, as the reading suggest, is infantile in nature and dependent on Lola to make his world right.  Lola takes on the role of provider, guardian, and champion.  This role is in contrast to the normal world and the world that the director has portrayed for Lola.  The Barbie and Ken dolls in the movie along with all the pictures and what appear to be souvenirs show a soft femine side to Lola.  Childhood dreams perhaps.  The movie is an endless spiral of images, music, and story line that is forever spinning.  IN one of the first scenes we see Manni in the phone booth and the words “Spirale” are on a building behind him.  It’s as if the director is warning us to hold on, because things are about to Spiral out of control.  The camera work is constantly moving, different angles and lots of juxsupositioning, which helps to keep the action moving but without boring you.  The cartoon scenes at the beginning of each “run” also tells a story.  In the reading I found this statement on the mark. “The Cartoon launches the viewer into a fantasy world in which anything is possible…”

Spirale translates to Spiral

                I found the facial expressions on Lola, played by actress Franka Potente, to be amazing.  Her silent stare at the various individuals throughout the movie were award winning.  Her blank stare at the security guard, aka father, told a story in itself.  You saw her emotions with a blink of the eye.  I enjoyed Franka’s performance very much.

                The historical undertones in Run Lola run are evident from the beginning.  In the very beginning we hear how a taxi driver took her to Grunewalk Street in East Berlin.  Manni was at Grunewalk Street in West Berlin.  “The mix-up reflects a postunification confusion owning to the divide that still exists between the eastern and western parts of Berlin.”   The reading opened my eyes to the fact that she ran past several important buildings and/or locations such as the Garnision Cemetery and the Gendarmenmarkt in East Berlin, Oberbaumbrucke (a former border crossing), Friederichsstrasse and Kochstarasse in West Berlin.  These are both border crossing locations as well. Now that I know the significance of these locations I want to go back and rewatch the movie to see the angles of the camera and the speed.  It makes we wonder if they have significance as well.

                This film is a magical ride of sight, sound and emotions that tells three stories in one movie at a lightening pace.  And within this movie within a movie it tells the strife of Germany and their near desperate attempt to reconcile the East and West, as well as their past.  Some will see all the political and social undertones to the movie.  I chose to just enjoy the movie for its entertainment factor.

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                I originally chose to take this course, “History of Motion Pictures” for three reasons.  1) It fit into my work schedule. 2) I needed a Liberal Arts. 3) Professor Schlegel was recommended by fellow students and co-workers.  However, I received more than 4 credits in Liberal Arts.  I received a whole new appreciation for the motion pictures and the industry.

                Back in high school (1980s) I did a report on Thomas Edison and I credited him with the first motion picture, when I really should have credited him with the first public presentation of motion picture.  Of course, Thomas did build the Black Maria, the first studio, so I guess I wasn’t completely wrong in high school.  J 

Thomas Edison National Historical Park

                I had seen Disney’s History of Animation before class and I could very easily watch it again and again.  This documentary does a wonderful job of giving the history of the beginnings of animation.  I also liked the documentary on Industrial Light and Magic.  ILM explains all about the start of the company, growth and impact on the industry.  Where Disney does this with quiet reverence ILM is flashy, comedic and makes you want to keep watching.  I never realized how influential ILM and special effects are in the films until this documentary.  The amount of special effects used in one of my favorite movies, “Forrest Gump” impressed me.  I now find myself looking and trying to figure out what is real, models or CGI.  Thank you ILM for keeping me on my toes and guessing.  ILM is truly an innovating and reinventing company revitalizing an old medium.

                This class also gave me a better appreciation for silent films.  I still wouldn’t watch one unless I had to, but I know have a better understanding of the magnitude they had on society and more importantly the work needed to make one.  I previous viewed silent films as just these visually dark movies where the actors over exaggerated their facial expressions.  This class made me realize that the scenery, sets, lights, music, camera angles, actors’ expressions and movements are all for dramatic effect.  I would never have noticed the size of items, the angle of the camera, or the lightening before this class.

                I think everyone should see Singing In The Rain to truly appreciate the lengths, trauma, and life changing atmosphere Hollywood was when going from silent films to Talkies.  I have never liked musicals but Singing In The Rain is worth it for story line alone.  Also, you should see any of the Universal Horrors as I feel they have a strong German influence with their dark sets, shadows, and lights.  I like to think about a young kid in a movie theater for the first time watching, and how scaring that must have been.

                This course gave me a greater appreciation for all things Motion Picture related.  I believe that although motion pictures have evolved over time to something amazing and entertaining, they are losing some of their appeal.  How many car chases, throat slashing, teenage sex scenes can we watch and be entertained?  Yes, I have watched all the Avenger movies, however with each movie I am slightly more disenchanted.   The bottom line….I love movies and thanks to History of Motion Pictures I can appreciate them much more but also expect more out of them.

Cinema Du Look and ILM

Dear Professor Schlegal and classmates:  I am going to be straightforward and honest….I am thoroughly distracted and having a hard time concentrating so I apologize beforehand for the short and somewhat rambling of this blog.

Monday we watched a documentary on Industrial, Light and Magic which was a special effects company started by George Lucas.  I have enjoyed many of Lucas’s films and I realized as I watched this documentary that he was a brilliant business man.  The way he hired his crew and then made an atmosphere of free spirited, open minds was equally brilliant.  He saw that film and special effects are an art and therefore, you had to hire and have an art like atmosphere.  By also starting a company not tied to any movie production house, he was actually able to expand.  This expansion happened because any one could come to him and bring their unique situation, which needed unique answers.  Thus ILM has made huge leaps and bounds in the special effects industry and created a new type of art, and a new way of filming.  In this documentary they talked about “creating the Impossible” and “from the sublime to the ridiculous.”  I also didn’t realize that so many special effect went into a movie like Forrest Gump.  If they had not pointed out in the documentary that they had changed the sky color, removed limps, and the ping pong shots I would never had known.  I would have gone on believing that Tom Hanks was a champion ping pong player.  😊

I made a mistake of sitting in the back to watch Diva and unfortunately my eyes are not what they use to be so between my distraction and having trouble reading the subtitles, I did not understand the movie.  What I can say is it was definitely in the Cinema de luc genre.  The different scenes of statues, people walking, skylines, sunsets and such was wonderful, especially with the powerful, mood enhancing music.  I consider Cinema De Look to simply be Eye appeal not mind appeal.  Beautiful to watch and the story really doesn’t matter. 

I am an 80s child and the Fly is awesome.

Our reading chapter this week was Revisiting Genre Films in the 1980s and 1990s.  I have an advantage over my fellow students because I was their age in the late eighties and remember that time and the cultural atmosphere.  I enjoyed this chapter as it reminded me of some of the greatest movies I had ever seen (at least at that point in my life).  These movies include Close Encounters of the Third Kind, E.T., Dances With Wolves and RoboCop.  And one of my favorite tv series, Twin Peaks.  These films are across the different spectrums of the 80s and early 90s.  First and foremost, most of these movies were technologically advanced, or at least gave the impression.  Second, most were heartwarming, or dealing with humanity.  There were lots of military type operations or skirmishes in the eighties.  Grenada, Falkland Islands, the high jacking of the cruise ship Achille Lauro, and Panama are the first things that come to my mind.  America seemed to be entering a constant state of heightened state of nervousness.  The 80s were a time of new as well.  There was new test for screening blood for AIDS, Live AID the concert started and even Coca Cola introduced a new recipe (It was horrible and failed).  So, what does all this have to do with movies.  Movies developed humor, humanity and horror.  We see a cop love his family, die and come back thru technology.  His humanity over writes his programming and becomes human again.  A young boy helps an alien stay out of government hands and gets him home, while a soldier realizes he has been fighting on the wrong side.  Most of the movies I remember of the 80s were somebody overcoming something…and usually that something was themselves.

This brings us to The Fly.  Cronenberg wove a science fiction film with love, mild humor, drama, gore, and horror.  Technology and a jealous scientist, Seth Brundle, create BrundleFly.  This is where I usually rehash the film, but I wanted to instead point out key elements or scenes that I feel are important.  In the beginning when Ronnie (Geena Davis) and Seth (Jeff Goldblum) arrive at his lab it becomes tense.  Seth is playing a piano and says to her, “You have already seen them, so you can’t leave.”  At this point we don’t know if he is evil or good, so we are tense.  I tried not to laugh out loud when she called the Telpods designer phonebooths.  (Believe it or not in the 80s there were phone booths on most corners and in the malls and just about every grocery store.  Some of them were designer and made to look like different things – doll houses, semitrailers, etc.).  BrundleFly quickly comes into play.  Super athlete and he is delirious on the drug of the fly gene splicing.  It is obvious that he is losing it mentally as the film progresses.  Physically he is changing, and at first, he is scared, then he is excited, then scared again.  He tells Ronnie at one point, “I’m free and your jealous.”  When he realizes why he is changing he says, “I was not Pure!”  This is important as it is the heart of the movie.  Is BrundleFly a human or a fly.  Is he good or evil?  Inner demons.  (Robocop is the same basis).  BrundleFly as he refers to himself states, “BrundleFly is becoming something that never existed before.”  This statement is perfect because through the movie as he changes, his state of mind changes and the way he views himself.  He tries to warn Ronnie at one point, “Insects are very brutal.  They don’t compromise.  I’m an insect that dreamt he was a man and loved it.  But now the dream is over, and the insect is awake. I’m telling you I’ll hurt you if you stay.”  In the end, BrundleFly has one last bit of humanity or Seth left and holds the muzzle of the shotgun to his head in a silent plea to Ronnie to end him.

Rocky Horror and Cult Films

lips                Let’s be honest here…. The Rocky Horror Picture Show is about sex, sexuality and being a parody for many genres of Hollywood.  It runs the gambit of all things sexual…from the virgin, a sexual predator, bi-sexual actions, and of course the guilt involved with all of it.  It is a parody of science fiction, musicals, and horror films.  I think most everyone noticed the huge sex symbols.  It starts with the virginal Janet who turns into a “touchy, touchy, touch me” and sleeps with two different men in one night.  Dr. Frank and his rainbow corset do not need any explanation.  He likes sex and it’s obvious.  The straight and narrow Brad who allows Dr. Frank to give him oral sex. The levers in the lab that look like phallic symbols.  And all the references and actions of sex.  The birthday hats on the party goers.   There were multiple rainbow references.  Dr. Frank’s corset is full of rainbow rhinestones.  Columbia’s shorts are rainbow.  The liquid poured into the tank in the lab were rainbow colored.  Even the party goers vest were multiple colors.  And considering the rainbow flag didn’t gain in popularity until after 1978, it makes you wonder if perhaps the Rocky Horror Picture Show was just ahead of its time.

rainbow shorts party2party1

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It was a parody of Hollywood musicals, horrors and science Fiction.  The dance numbers are over the top and with lots of glitz and glam, a bow to the musical.  The opening song regarding the double feature is obviously paying homage to the science fiction genre.

One of the reason Rocky Horror is such a cult film is because of the audience participation.  Professor Gagne tried to show us the fun that can be had with the Rocky Horror Picture show through audience participation.  Unfortunately, we were un practiced and therefore we did not fully experience the joy, laughter and fun that can be had with participation.  I participated in the beginning of a live audience participation and found it infectious.  The feelings of fun and excitement continued to rise as the show started.  I can’t imagine how addictive it would be if I had stayed for the whole thing.

Not all films will have fan participation like Rocky Horror, but all cult films will have fans.  A passionate, loyal fanbase is what makes a film a Cult film.  Something has to set the film apart, it can’t be just a rehash of something else.  It must be unique, but it can be inconsistent.  It doesn’t have to explain everything or anything that happened in the movie.  A cult film will usually have morally wrong aspects to it.  Different or rebelling, against the Hollywood Norm.  Most “Classic Cult” films are strange, bizarre, and in my humble personal opinion just plain weird, but many are enjoyable.

Where are the Studios and is that ship upside down?

When I previously talked about the paramount decision and the downfall of the studios, I glossed over (if addressed at all) the large factor that television played in their downfall.  I do believe that the Paramount decision was the nail on the coffin, but television was the dirt to cover that coffin.  Desilu purchased RKO’s lot.  Desilu was a major television production house. Desilu1952

Desi for Desi Arnaz and lu for Lucille Ball.  Some other studios turned to television as well including Disney and Columbia.  Disney’s series Disneyland was a huge success as was Columbia’s subsidiary company of Screen Gems.  Some studios, like RKO, sold old movies to syndication companies for airing on TV, which help move the production of the telefilm series.  Telefilm is nothing more than a made for TV movie.  By the 1960’s the tv networks were turning to Hollywood to show their movies during primetime.  Even with this seemingly nice partnership between tv and the Hollywood studios, the studios were still struggling.  Foreign film imports and international productions further slipped the studios into disaster.

Enter baby boomers, destruction of the Production Code, new film making talent with new ideas and a new wave was born.  The New American Cinema as some called it.  Directors called the shots and the shots were aimed at the youth with classic Hollywood way going just that “away”.  We were introduced to such famous films like The Godfather, Bonnie and Clyde, Rosemary’s Baby, Deliverance, and The Exorcist.  These movies scored with the youth and main stream movie goers.  A new wave and new owners.  Many of the studios changed ownership (5 of 7) and the new owners had new ideas and new ways of doing things, unfortunately but no real interest in media entertainment.

jaws

Enter a movie like Jaws.  Jaws was the beginning of what is known as a blockbuster.  A high-cost, high speed, saturation media campaign, along with a large network tv ad campaign.  Jaws became a blockbuster hit in the theaters, then after with merchandising.  Not everyone has seen Jaws, but everyone knows the Jaws theme…duunnn duuunnn and the iconic shark jaw coming up to eat the naked swimmer.  Heck think of the theme song and poster image as the blockbuster hit history.  Shark (hit movie) slowly approaches it prey, attacks, and the blood (merchandising) in the water disburses.  https://www.youtube.com/watch?v=lV8i-pSVMaQ   LOL, I know it might be corny but that is how I remember why Jaws is so important in the movie history.

poseidan

Now, I want to talk briefly about The Poseidon Adventure.  I say briefly because I could talk for days about all the symbolisms and undertones in the movie.  Yes, it is a disaster movie, where lots of people died.  But it is the sort of movie that you are horrified by the destruction and dead bodies, then laughing at Mr. Rogo (Ernest Borgnine) making comments under his breath about the preacher, Reverend Scott (Gene Hackman).  And we can’t forget about the pure innocent statements made by Robyn Shelby (Eric Shea) that infuriated Mr. Rogo.  The love shared between Mr. Rogo and Mrs. Rogo (Stella Stevens).  I mean we learn right from the beginning that Linda Rogo is a former prostitute, that her husband arrested 6 times.  “Well I had to figure out some way to keep you off the streets until you married me!”  That line is both comical and heartwarming.  This disaster movie is really a movie about survival and “Having the guts to fight for yourself.” As Reverend Scott says.  And Mr. Rogo was always protecting more than his wife.  He was consistently trying his best to keep everyone safe. Look at the way his arms are in this scene.

poseidonadventure1

Beyond the fact that there were many famous people in this movie, this movie opened a whole new genre….Disaster movies.  I love the disaster movies of the 70s and very early eighties.  I think I like them because they are a little (just a little mind you) more believable than current disaster movies.  And the disaster movies of the 70s and 80s showed struggles, trial and tribulations that were eventually overcome.  Some disasters in the movies, like Poseidon Adventure, are caused by human greed.  (I know what you’re thinking, how can a tidal wave be caused by human greed.  The ship did indeed flip due to the tidal wave, but if the business man (Mr. Linarcos) had not forced the Captain to go full ahead instead of taking the time to fill the tanks and repair the boilers, they would not have been where they were.  And maybe they would have seen it in time to turn into it instead of being flipped by it.)  There just is something satisfying about seeing that the greedy man doesn’t make it and the innocent ones do….or at least some of them.

diaster movies

Bonnie and Clyde and Hammer Films

Bonnie and Clyde take place during the Depression.  The Depression was a horrible time, people didn’t have money, jobs, and many times homes.  Every day was a struggle for the average family.  The film depicted the Barrow gang a little bit like a Robin Hood gang as well as a family unit.  Bonnie and Clyde in the beginning of the film were staying in a bank seized house when the previous owner showed up.  They give the owner the gun to shoot up the house which is now owned by the bank.  Clyde tells the former owner that he robs banks.  The former owner smiles and thanks him.  In another scene, during a bank robbery, Clyde asks a customer if that is his money on the counter or the banks.  The customer states his.  Clyde tells him to take the money, that he isn’t there for his money.  Later it shows the customer stating that he will bring flowers to Clyde’s grave.  When Clyde beats a man in a store that he is trying to rob, early in the film, he proclaims, “I ain’t against him.”  As if he is not breaking the law against the common people and he is very confused why the guy attacked him.  I think to myself they (director/producer) really are trying to portray these criminals as young, innocent and so naïve.  Even the movie poster depicts them like young people out on a date.

This movie is dripping with sexuality.   From the very beginning with its depiction of Bonnie, played by Faye Dunaway, naked.  We see no breasts, but it is obvious she is naked.  She is naked in front of mirror, bed, then window.  window  A few minutes later, as she and Clyde are walking down the street there is no music, just a ticking noise in the background.  This is making the scene tense and a feeling like something more is going to happen. Later, the scene of Clyde and Bonnie drinking from a soda bottle, is meant to be sensual.  soda bottle  Between her lips just touching the bottle to her half closed eyes.  The whole scene screams sex.  After he robs the store and they take off she is trying to initiate sex, but Clyde states he is not a “lover” and refuses.  He seems to be suffering from a sexual disfunction.  His statement and the fact they do not have sex until much later in the film helps portray them as truly in love. After committing a murder, Clyde begs her to go back home before she is linked to him.  She refuses. When they do eventually have sex, he is like a teenager wanting the girls approval that he did ok.

Everything in the film is made to make you root for the criminal.  When C. W. Moss enters the picture, we see a baby faced, innocent sounding and appearing individual.  C.W. soon becomes a sort of mascot or child to Bonnie and Clyde.   Clyde’s brother, Buck, joins them along with Blanche, Buck’s wife.  The film portrayed Blanche, as a scared screaming somewhat innocent woman, who just was following her husband.   Blanche freaking out  Bonnie and Blanche do not get along but that does not deter Buck and Clyde from staying together.  Very much like a family and siblings.

Lots of shoot outs, crimes, and even more rich dialogue and tense scenes are throughout the movie.  There is no powerful soundtrack or music to stir the emotions, it is all done with dialogue and the actors’ abilities.  The only music is a blue grassy twangy jig that plays in the car chase scenes.  It’s as if they didn’t want anything for distracting you for the action on the screen.

The final scene is one of the most powerful.  From the birds flying out of the bushes in warning, to the long stare between them.  The stare that spoke volumes without uttering a word.  Then the seemingly nonending jerk of their bodies as they were riddled with bullets.  Then the simple but eloquent words, The End.

Where is Bonnie and Clyde opened the gates for Hollywood to showcase violence (with a definite middle finger to the Hays code) and blood; the Hammer Films used blood and gore to pull the public in.  One has to wonder if they didn’t simply have the public coming back wondering what more, how gory or bloody can they make it.  But Hammer Films were more that just blood and gore.  They revived gothic horror.  They did this with COLOR and violence and of course more blood and gore then could fit on one movie screen.  The resurrected familiar characters like Frankenstein and Dracula.  They also created the movie Quartermass Xperiment.  quartermass

Note experiment is spelled with no e…is this a snub for the X rating many of Hammer’s films would eventually receive.     Of course, Hammer film posters were filled with gore and sex.

Bonnie and Clyde and Hammer Films helped expose the public to violence, gore, and blood, all the while showing Hollywood that entertaining films can be made.

 

Paramount Decision and Exploitation

The effects of the Paramount Decision of 1948 were far reaching and all encompassing.  The antitrust legislation deeply affected the Big 5.  One of the first things that was affected was Block Booking.  The studios could no longer force the theaters to purchase “blocks” of films.  This in turn allowed the independent studios to be able to sell their films to the theaters.  Foreign films can get the chance to be seen in these theaters as well.  The independents were not being hampered by the production aka Hays code as well.

If I look at the Paramount decision with my business eyes, I found the anti-trust legislation a little hard to swallow.  Although morally the studios owning the theaters and forcing other theaters to purchase block of films is wrong however from a business viewpoint it was brilliant.  I guess I saw the studios like chefs making a meal, and the theaters like the restaurant building where the meal is served.  Don’t misunderstand me as I think the Paramount decision was the right things to do, as it opened the world to different film styles.  I just wonder if it wasn’t a monopoly as much as great selling.

With the decision the Big 5 studios soon floundered and many sank.  American International Pictures (AIP) arrived on the scene and catered to the American teenager.  I found Sam Arkoff, one of the founders of AIP, utterly brilliant and hilarious to watch.  I think one of my favorite statements is when he states, “Artsie Fartsies”.  I got the distinct feeling as I listened to him talk, that his passion wasn’t making good movies, or even making movies for teenagers.  His passion was making money and basically giving the big 5 studios the middle finger and a big I told you so smile.  I watched many of AIP movies growing up on the midnight cinema shows.  Lame, B quality, comical, and a must watch were those films.  API knew what they were doing and how to get the teenager (even a couple of decades later) watching.  They also were brilliant, because teenagers were terrified early on with the various Duck and Cover and bomb propaganda training films.  Teenagers just wanted to be heard and forget their parents and the pressures homelife placed on them.  API delivered.

Samuel_Z._Arkoff

In my opinion, Exploitation is a very misunderstood word when applied to the film genre.  I’m not sure what my fellow students think it means but I feel that Doris Wishman had it right when she said something along the lines of “We all exploit films when we advertise it.”   I also think that Exploitative films are nothing more then films depicting those things that the Artsie Fartsie society feels is immoral or degrading.  I found Doris Wishman to be just what that time of film making needed.  She made nudist camp films and roughies.  Doris used her intelligence and loopholes to avoid being censored, at least some of the time.  I feel many of these roughies are nothing more then soft porn or straight out pornographic films.  The bottom line is sex sells.  These films showed the American woman as an erotic sexual being, exactly what men wanted.  But they also wanted the motherly homebody almost virginal woman at home.  Tiger in bed kitten in the kitchen scenario.

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Back in the early eighties HBO released a Burlesque movie, which was nothing more than a stage show that they filmed.   It was of course based on the old Burlesque shows.  What my father called raunchy humor and some nudity.  I was far to young to understand it, and my parents were very angry when they found out I had watched.  It had humor I didn’t get and a naked lady twirling around in a cocktail glass.  At my age I just thought it was a weird glass bowl.  Sorry, I digress.  The point I was going to make is what the Burlesque show to me was nothing but boring people in funny outfits.  But to my parents it was adult humor and of course nudity.  So, the fact that sex-exploitation films were out shouldn’t matter as we all see sex in different ways.

https://www.youtube.com/watch?v=x4Nj5qWGtmY

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Don’t miss class and Neorealism

The class screened the film Wild Strawberries.  Unfortunately, I was unable to make it to class, however I found a copy on YouTube.  It was very grainy, blurry and made reading the subtitles very difficult.  However, I was able to get the gist of it all.  Of course, the first scene with the nightmare of the coffin falling and the empty streets.  The clock is the item that stood out to me.  The clock nor the watch had any hands on them, therefore he was unable to tell what time it was.  The cynical me says that was the way to know he was done..he was out of time.  The rest of the nightmare didn’t resonant with me as much as that damn clock with no hands.  I was speaking to someone else about the scene and they stated they thought that meant time was of no consequence.  I like that thought but cynical old me still thinks it means time is gone and done.

Italian Neorealism didn’t last very long but made a large impact on the motion picture industry and the Italian society.  Change both in culture and society was changing within Italy.  I think the video essay that the Professor placed on Canvas, What is Neorealism, helps demonstrate a lot of the differences between American and Italian film making.  I liked the fact that it showed how the Italian director felt that the extra long shots showing the background people was important.  Almost more important then the lead actors and actresses.  Neorealism is just like it’s name..real.  These films show life without the happy ending.  The daily grind for the average man, no glitz, no glamour, no making it out to fantasy land.  People being people.  In some ways I’m surprised that it took off at all.  After the war the people wanted to be entertained and forget about their wows.  The Italian neorealism films showed the people  just opposite, but that is why they were made.  What they could not put in print they put in film.

Film Noir

I was absent Monday, so I did not have the lecture or discussion.  So, I took the bull by the horns and watched Film Noir, Bringing Darkness Into Light.  I loved the way James Ellroy stated what Film Noir is to him in the beginning of this documentary.  “Your BLEEP!”  Henry Rollins also summed up Film Noir, “Evil triumphs over good.”  This documentary explained so much.  I did not understand what film noir was until after this documentary.  It went through everything, from the basic thoughts and feelings, to lighting, character placements, film score (soundtrack), locations, and character progressions.  I like that Noir is realistic, gritty, and sexy.  Not the sexy of sexually arousal.  The sexy of being exciting and appealing and interesting.  The scripts were low on dialogue compared to non-noir films.  They relied on everything else: lighting, sound, and acting.  I agree with one commentator who stated that noir was a revenge on the woman by the men who came back from the war.  The woman are fem-fatales in most noir films and many are in a place of power.  The woman had assumed so many of the roles of the men while they were at war.  When they came back from war, the women were no longer in the house and domesticated.  They were in positions of power which upset many people’s ideas of the way America should have been.  Americans were depressed, displaced, and confused with the new world after the war.  Film Noir allowed their dark thoughts to be seen on the screen, to imagine for just a moment that someone had it worse than them.

Back in the late eighties I saw the movie D.O.A. with Dennis Quaid.  The original D.O.A. was a film noir.  The eighties film was a dark and sad movie, filled with crime, intrigue, perhaps a fem-fatale.  There was not a lot of action, which was very popular in the late 80s.  I never saw the original D.O.A. but my dad said that the newer one was very similar.  I guess what they say is true.  Everything old is new again.

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One individual in the documentary stated that not everyone thinks of Casablanca as a Noir.  I can see why they would think that.  Casablanca had the fem-fatale, the greedy Politian (or banker), the down trodden or loser, the man who you are not sure is good or bad.  It was dark and gritty, and very intriguing.   But depending on how you view the actors and actresses it could have just been a great movie.

I found that the movie Casablanca started in a way that pulled you in.  A map of Africa with the music going from a slightly oriental France anthem (I believe) to Pomp and Circumstance (at the time Pomp was a very American song). https://www.youtube.com/watch?v=FbjjraucbIA

The next thing that stood out to me is Rick’s Café American.  There were nationalities from across the globe in Café American, which was very similar to what was happening in America.  The last thing that stood out to me in this movie was the Dear John letter that Rick received at the train station.  The rain fell on the letter and washed the way the words, as if he was crying.  Someone like Rick wouldn’t cry.  🙂

 

 

Hitchcock and French Film Makers

I highlighted the passage in the beginning of chapter 9 from our book that states, “These stories of crime and violence displayed passions of love rather than greed. …acknowledged the robust sexuality and earthiness in human relationships that many American films lacked.” Why is that I wondered. Why was the American films lacking. I was rather confused as I continued to read the chapter and I found more social injustice, inequalities and lots of symbolic films. Jean Renoir was just such a person. Considered to be “the most exceptional French filmmaker of the 1930s”, many of his films were satires on the social inequalities, anarchy and social conventions of the time. The Rules of The game, La Grande Illusion, The Crime of Monsieur Lange and others are all credited to Renoir. He used sexuality and humor to convey his message. Down and Out in Beverly Hills, made in 1986, was a fun movie when I was young. Down and Out is based off of Renoir’s Boudu Saved From Drowning. Of course Renoir is famous for The Rules of the Game, but now I will always think of Down and Out in Beverly Hills and how it is more a satire on social inequalities than a bum’s story.

DAOIBH

39 Steps by Alfred Hitchcock was done somewhat early in his career. It is a true thriller and hints at Hitchcock’s true talent. Hitchcock always creates a beautiful web of intrigue, humor and mood that jumps off the screen. He does this by use of different angles of the camera and creating a mood with a quiet and almost serene like scene then something major jolts you forward.  It opens in a music hall where Mr. Memory is on stage. There is some jokes and laughter, then a fight breaks out and then there is gun fire. Humor then jolt. Hitchcock continues when the same man gives the woman a place to stay for the night and they talk about how she is a spy trying to save some secret from getting out of the country. He is quietly sleeping in his bed when she bursts in and dies in front of him. So quiet and serene then a jolt. He is on a train and the two gentlemen across the way are having an animated conversation about their wares and it isn’t until a few minutes into the conversation that we understand they sell ladies undergarments. It is quite humorous, especially the part where the guy is peaking over the paper. 39trainHe then hears them talking about a murder and discovers he is now wanted for the woman’s murder. Humor then a jolt. The rest of the movie plays out very similar. I want to point out that Hitchcock also does not use loud music or even special effects to convey his point. The only time I noticed any music was during the chase scenes.   When the maid finds the women’s body in his apartment she turns to the camera and screams. But we don’t hear the scream we hear a train whistle.  maid scream  Also, the camera is angled above the maid looking down, which helps increase the moment of terror. When he is at the house with the guy missing a finger, Henny is sitting in front of the window. The angle of the camera is center on him and the guy with no finger tip, yet the conversation is taking place by people standing in front of them. Which gave a sense of stress, almost panic. I kept thinking angle the camera up, who is talking….but for Hitchcock it didn’t matter who was talking, just what our main character was doing. windowHitchcock was a true master, using camera angles, average conversation, humor, sexual tension, and mystery to weave the story. Hitchcock helped introduce the world to a thrilling yet comedic adventure ride. (I felt the movie was reminiscent of James Bond movies. Makes me wonder if Ian Fleming was a Hitchcock fan?)